Melbourne multi-instrumentalist/producer LUCIANBLOMKAMP’s “The Overman” deserves the all-too-often tossed around descriptor “cinematic.” Rising out of an orchestral opening, it weaves atmospheric ear candy and distant vocals around a driving, ever-shifting beat—the sort that feels custom fitted for dramatic trailers and escalating action, rooftop chases and climactic battles in grey rain. In its five minute run time, it passes through enough different movements to warrant numerous repeat visits, an aural narrative that creates real tension and release.